Choreographer Mark Dendy is provocative. When I saw his performance of Dream Analysis in 1999 at the Joyce Theatre in NYC, I was captivated. Dendy’s work was simultaneously theatrical, original, outrageous and electrifying. On the spot, Laurie Burnaby and I decided that we must bring his company to Santa Barbara. The NY Times called Dream Analysis a “phantasmagoric comic spectacle.” It was about ”a young gay dancer and his psychotherapist, who is in drag, talking their way through a nightmare inhabited by two Martha Grahams, two Vaslav Nijinskys, Judy Garland, a demented Southern mother, an even nuttier aunt, the dancer himself, two sadistic dance teachers and characters from ballets Nijinsky created or performed in. Astonishingly, they are all played by a cast … Continue reading →